Yet, she offers us some hope, “To go virtual is the only way to forget about the real darkness.” Through her documentary i.Mirror, Cao wants the viewer to see in her experience of Second Life a resemblance of the real that still holds meaning. Cao, in her documentary, exposes the artificial attempt of Second Life to mourn the loss of the real. Created by machinima journalist Draxtor Despres, each episode mixes Second Life and real-world footage to profile some of the people devoted to making interesting things within the long-running MMO. ![]() ![]() Always in Season Island was one of several documentary projects that experimented with using Second Lifeintended. The Drax Files: World Makers, a series of documentary shorts available on YouTube, is useful assistance in knowing where to look. Popular from 2005 to 2008, Second Life allowed people to create avatars and explore virtual environments, in effect living a second life. And it is by an artificial revitalization of all this that we try to escape it” (Baudrillard). Always in Season Island is a virtual world created on the online platform Second Life. ![]() For Baudrillard, “But we are still in the same boat: none of our societies know how to manage their mourning for the real, for power, for the social itself, which is implicated in this same breakdown. Second Life is a “scaled-down refraction” that facilitates the coming together of people from all over the world in one common, publicly accessible space. Cao Fei, in her beautiful, meditative, and sometimes sardonic, explorations of Second Life, reveals that in the hyperreality of Second Life there is an attempt to restore the real-connections with people that escape them in Real Life, for some reason or another.
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